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Personal; Worship

Personal; Worship
I Am A Traditionalist
January 30, 2012 at 7:52 am 1
I learned this weekend what people who prefer traditional worship over contemporary and post-modern worship feel like.

And it was tennis that taught me that lesson.

Yesterday featured what many experts are calling one of the greatest, if not the greatest, tennis match of all time: Novak Djokovic's epic 5 hour, 53 minute victory over Rafael Nadal in the final of the Australian Open.



The match was simply brutal: mesmerizing rallies, impossible retrieves, bold aggression, and dramatic turns of momentum. The match was so good, in fact, that ESPN 2 played it twice again on Sunday, dubbing it an "Instant Classic."

And I could barely watch it.

(Now . . . I couldn't watch it live as Sunday night in Australia is Sunday morning in the U.S. and I'm otherwise occupied at that time.)

But the little bit I did watch live and then attempts to watch the replay didn't really grab my attention the way an instant classic should.

Why not? (And this is how it relates to traditional worship . . . )

Because it's not tennis the way I learned it or the way I remember it or even the way I enjoy it.

Now: these guys are better than players of yesterday. They're bigger, fitter, and, taking advantage of the improvements in technology, they hit the ball harder and with more spin than the Lavers, Ashes, and McEnroes of my childhood could even dream of. Like I said, their game is brutal.

But in my mind, the beauty is missing. There's no coming to the net. No serve & volley. No passing shots. Today's points are longer, to be sure, but less interesting. In the way my mind is conditioned, nothing is more beautiful than a spinning serve followed by a putaway volley, a la John McEnroe in his prime.

Today's game is bigger, bolder, and better . . . but I'm not comfortable with it.

Which brings me back to worship style. All the largest churches in the U.S. (check here and here) are contemporary with barely a nod to the kind of traditional worship that dominated in the early part of the 20th century. Those churches are bigger and bolder, for sure, and "better" at attracting large crowds than congregations which feature robes, organs, and hymnals.

Yet for people who have memories steeped in a worship style from that earlier era, no argument from boldness or effectiveness will ever do. There is a gap in comfort and aesthetics that simply can't be bridged.

Of course, we at Good Shepherd have from the outset been a "contemporary" church with a commitment to "classic moments" in worship.

But after this weekend, I understand better than ever why that style won't appeal to everyone.

Because some people just prefer tradition. In a different setting, that includes me.
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Personal; Worship
Top Five Tuesday — Top Five Classic Hymns
August 9, 2011 at 5:00 am 4
Let's stay "old school" today as well.

I've spent more time than you might suspect in traditional churches. After all, when I first started going to church there were no other options! So I've spent time in high church Presbyterian, middle church Methodist, low church Baptist, and all points in between.

That includes nine years at a traditional-becoming-blended church in Monroe, a time in which I got to know the United Methodist Hymnal very well.

So what are my five favorite hymns from the classic Christian tradition? Here they are:

5. Standing On The Promises (#374 in the UM Hymnal). Standing on the promises is so much better than resting on the premises, isn't it? Just enough of a Southern Gospel feel to make this one feel right at home.



4. It Is Well (#377). So beautiful, especially when Chris Macedo and April Geiger sing it at one of our memorial services. Even better when you know the story behind the song.



3. I Stand Amazed (#371). Here's a bit of irony: I was only vaguely aware of this one before I came to Good Shepherd. I'm always moved by the combination of lights and visuals when we sing this on a Sunday. Here's a modern take on it, courtesy of Chris Tomlin:



2. Blessed Assurance (#369). Fanny Crosby wasn't a Methodist. But she should have been. "Assurance" is one of our hallmark distinctives.


1. And Can It Be (#363). This is my favorite hymn?!? It's almost unsingable in most settings. We never sang it at Mt. Carmel in Monroe and have yet to sing it here. The lyrics are difficult, the melody a challenge, and the harmony is almost out of the question if you want to get it right. So why is it #1? Easy. It's the National Anthem of Asbury Seminary. You get 1000 seminarians singing "my chains fell off / my heart was free / I rose went forth and followed thee" and if you're not crying, you're not breathing.

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Personal; Worship
An Afternoon In Court
August 26, 2010 at 5:00 am 6
I spent some of Wednesday afternoon in a federal courtroom in uptown Charlotte.

(Sadly, a friend of mine was there for a sentencing hearing.)

The hearing was sparsely attended; in fact, aside from the court officials, I was the only one there.

Yet as I sat in that courtroom something about the surroundings seemed vaguely familiar . . .

  • A man up front wearing a robe seemed to be in charge.
  • He was perched behind an imposing wooden structure.
  • The room dimensions were long and narrow -- the back row of the empty seats was considerable distance from the man in the robe behind the big wooden desk.
  • The ceiling was vaulted -- I'd say 20 feet or more.
  • The lighting was neutral.
  • The man in the robe used phrases and terms that his cohorts understood but that I found incomprehensible.
  • The walls were covered with wood paneling.
  • Finally, I sat on a long wooden bench with no cushion.

As I took all this in, I realized where I'd seen this before. In church!

The attire of the leader, the size and shape of the room, the feel of the furniture, even the built-in intimidation of the proceedings -- all of it felt exactly like dozens of church services I've been to through the years.

The guy in the robe is the preacher, the desk is the pulpit, the back-breaking seats are the pews, the design and scope of the room feels like most traditional church structures built between 1940 & 1980, and the incomprehensible language is what much of preaching and liturgy must sound like to uninitiated church-goers. The parallels were so precise it left me numb.

All of which led to a question I coudn't answer: who copied whom?

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